{"product_id":"perrin-crossing-arm-globe-chandelier","title":"Perrin Crossing Arm Globe Chandelier","description":"\u003cp\u003eThe Perrin Crossing Arm Globe Chandelier sets two horizontal arms across a slim vertical stem at different heights, each one curving down at its ends to cradle a veined alabaster globe. Nothing radiates from a centre — the arms simply cross, the way a mobile hangs in balance.\u003c\/p\u003e\n\u003cp\u003eThat structure is what makes it read so light for its width. A conventional chandelier gathers its mass around a hub; this one spreads it along two lines and leaves the space between them empty, so what you see from across a room is a drawing rather than an object. The globes sit at four different heights rather than in a ring, which is why the composition looks balanced instead of arranged.\u003c\/p\u003e\n\u003cp\u003eThe same globe appears at eye level in the Alabaster Orb Asteria Brass Wall Sconce — one stone sphere on a slim brass arm, sized for the wall rather than the ceiling.\u003c\/p\u003e\n\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eNatural Alabaster\u003c\/span\u003e\u003c\/span\u003e\n\u003ch3\u003eNaturally \u003cem\u003eUnique\u003c\/em\u003e Veining\u003c\/h3\u003e\n\u003cp\u003eNo two pieces of stone are ever the same\u003c\/p\u003e\n\u003cp\u003eAlabaster is a natural stone, so \u003cstrong\u003eevery piece carries its own veining and subtle variation in color\u003c\/strong\u003e. The fixture you receive may therefore differ slightly from the images shown.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n \u003cspan\u003eAn inherent characteristic of real stone — \u003cstrong\u003enot a quality defect\u003c\/strong\u003e.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv\u003e\n\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e \u003cspan\u003eSpecifications\u003c\/span\u003e\n\u003ch2\u003eThe \u003cem\u003eDetails\u003c\/em\u003e\n\u003c\/h2\u003e\n\u003c\/div\u003e\n\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cspan\u003eMaterial\u003c\/span\u003e \u003cspan\u003eMetal Frame · Natural Alabaster \u003csmall\u003eEvery globe is cut from real stone — no two share the same veining.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eShade\u003c\/span\u003e \u003cspan\u003e \u003cspan\u003e\u003ci\u003e\u003c\/i\u003eWhite Natural Alabaster\u003c\/span\u003e \u003csmall\u003eLight enters the stone rather than passing through it, so each globe glows from within with no visible bulb.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eBody finish\u003c\/span\u003e \u003cspan\u003e \u003cspan\u003e\u003ci\u003e\u003c\/i\u003eBrass\u003c\/span\u003e \u003cspan\u003e\u003ci\u003e\u003c\/i\u003eBlack\u003c\/span\u003e \u003cspan\u003e\u003ci\u003e\u003c\/i\u003eNickel\u003c\/span\u003e \u003csmall\u003eBrass warms the stone and leans classical; black turns the arms into graphic lines; nickel keeps both cool and quiet.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eDimensions\u003c\/span\u003e \u003cspan\u003e \u003cspan\u003e\u003cb\u003e4 heads\u003c\/b\u003e∅ 23.6″ × H 11.8″ \u003cem\u003e· ∅ 60 × H 30 cm\u003c\/em\u003e\u003c\/span\u003e \u003cspan\u003e\u003cb\u003e6 heads\u003c\/b\u003e∅ 35.4″ × H 15.7″ \u003cem\u003e· ∅ 90 × H 40 cm\u003c\/em\u003e\u003c\/span\u003e \u003csmall\u003eExcluding the suspension cable.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eLight source\u003c\/span\u003e \u003cspan\u003eG4 LED bulb \u003csmall\u003eWarm white recommended — cooler light drains the honey tones out of the stone.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eBulbs\u003c\/span\u003e \u003cspan\u003e4 or 6 × G4 \u003csmall\u003eBulbs not included. See the note below before buying replacements.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eVoltage\u003c\/span\u003e \u003cspan\u003eAC 110–240V\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eSwitch\u003c\/span\u003e \u003cspan\u003eHardwired — controlled by a wall switch \u003csmall\u003eDimmable when fitted with dimmable G4 LEDs on a compatible dimmer circuit.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eMounting\u003c\/span\u003e \u003cspan\u003eCeiling — hardwired \u003csmall\u003eMounts to a standard junction box. Professional installation recommended.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eHanging height\u003c\/span\u003e \u003cspan\u003e59″ \/ 150 cm adjustable \u003csmall\u003eCable shortened on site to suit your ceiling; extra length supplied on request.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eIngress rating\u003c\/span\u003e \u003cspan\u003eIP20 \u003csmall\u003eNo protection against water. Indoor, dry locations only.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eEnvironment\u003c\/span\u003e \u003cspan\u003eIndoor · dry locations\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003ePreparation time\u003c\/span\u003e \u003cspan\u003e5–10 days \u003csmall\u003eMade and inspected at our own workshop before dispatch.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch3\u003eGood to Know\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cdiv\u003e\n\u003ch4\u003eFour heads or six?\u003c\/h4\u003e\n\u003cp\u003eThe \u003cstrong\u003e4-head at ∅ 23.6″\u003c\/strong\u003e suits a round table around \u003cstrong\u003e31–35″\u003c\/strong\u003e across, or a room of roughly \u003cstrong\u003e11 × 13 ft\u003c\/strong\u003e. The \u003cstrong\u003e6-head at ∅ 35.4″\u003c\/strong\u003e suits a round table around \u003cstrong\u003e47–53″\u003c\/strong\u003e, or a room of roughly \u003cstrong\u003e15 × 20 ft\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eBoth are shallow for their width — 11.8″ and 15.7″ tall — so neither eats headroom. Because the arms spread horizontally rather than gathering at a hub, \u003cstrong\u003egoing one size up costs you width but almost nothing in visual weight.\u003c\/strong\u003e Over a table, err larger.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cdiv\u003e\n\u003ch4\u003eWhere it can and cannot go\u003c\/h4\u003e\n\u003cp\u003eRated \u003cstrong\u003eIP20\u003c\/strong\u003e — protected against contact, but with \u003cstrong\u003eno protection against water at all\u003c\/strong\u003e. It belongs in dry indoor rooms: dining rooms, living rooms, bedrooms, entries, stairwells.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not install it in a bathroom, above a bath or shower, in a laundry, or on a covered porch\u003c\/strong\u003e, even one that stays out of direct rain. Alabaster gives you a second reason to avoid damp rooms beyond the electrical one — humidity is not good for the stone either.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv\u003e\n\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e \u003cspan\u003eSize Guide\u003c\/span\u003e\n\u003ch2\u003eFour Heads or \u003cem\u003eSix\u003c\/em\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe difference is not only width. The four-head is two crossing arms on two levels; the six-head adds a third arm at a third height — so stepping up adds a tier to the composition, not just diameter.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv\u003e\n\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cspan\u003e4 Heads\u003c\/span\u003e\u003cspan\u003ePopular\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cspan\u003eTwo crossing arms · two levels\u003c\/span\u003e \u003cspan\u003e∅ 23.6″ × H 11.8″\u003c\/span\u003e \u003cspan\u003e∅ 60 × H 30 cm, excluding cable\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eGlobes\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e4\u003c\/b\u003e alabaster globes · 4 × G4\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eRound table\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e31–35″\u003c\/b\u003e (79–89 cm) across\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eCeiling\u003c\/span\u003e\u003cspan\u003e8 ft and up\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe quieter of the two — a clean cross that reads as a line rather than a cluster.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003e6 Heads\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cspan\u003eThree arms · three levels\u003c\/span\u003e \u003cspan\u003e∅ 35.4″ × H 15.7″\u003c\/span\u003e \u003cspan\u003e∅ 90 × H 40 cm, excluding cable\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eGlobes\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e6\u003c\/b\u003e alabaster globes · 6 × G4\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eRound table\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e47–53″\u003c\/b\u003e (119–135 cm) across\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eCeiling\u003c\/span\u003e\u003cspan\u003e9 ft and up\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe third arm turns a cross into a composition — more depth from underneath, and half again the light.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ci\u003e\u003c\/i\u003e\n\u003cdiv\u003e\n\u003cb\u003eBrass\u003c\/b\u003e\u003cspan\u003eWarms the stone and leans classical. Best with oak, cream, plaster and warm-toned rooms.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ci\u003e\u003c\/i\u003e\n\u003cdiv\u003e\n\u003cb\u003eBlack\u003c\/b\u003e\u003cspan\u003eTurns the arms into graphic lines and pushes the piece modern. Strongest against a pale wall.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ci\u003e\u003c\/i\u003e\n\u003cdiv\u003e\n\u003cb\u003eNickel\u003c\/b\u003e\u003cspan\u003eKeeps both metal and stone cool and quiet — the one that disappears and lets the globes do the work.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003cdiv\u003e\n\u003ch4\u003eSizing Tip\u003c\/h4\u003e\n\u003cp\u003eOver a \u003cstrong\u003eround table\u003c\/strong\u003e, take two thirds to three quarters of the table diameter — which puts the four-head over a table of 31–35 in and the six-head over one of 47–53 in. In an \u003cstrong\u003eopen room\u003c\/strong\u003e instead, add the length and width in feet and read the sum as inches: roughly 11 × 13 ft for the four-head, 15 × 20 ft for the six.\u003c\/p\u003e\n\u003cp\u003eThen note what this shape does that most chandeliers don't. Both versions are \u003cstrong\u003eshallow for their width\u003c\/strong\u003e — 11.8 in and 15.7 in tall — because the arms spread sideways rather than gathering at a hub. So \u003cstrong\u003egoing up a size costs you width and almost nothing in headroom\u003c\/strong\u003e, which is the opposite of how a tiered chandelier behaves. Over a table, err larger.\u003c\/p\u003e\n\u003cp\u003eHeight is set on site: the \u003cstrong\u003e59 in cable shortens during installation\u003c\/strong\u003e and can be extended before dispatch if you tell us your ceiling height when ordering. Hang the lowest globe \u003cstrong\u003e30–36 in above a tabletop\u003c\/strong\u003e, and keep \u003cstrong\u003e7 ft of floor clearance\u003c\/strong\u003e anywhere people walk.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\n\u003cdiv\u003e\n\u003cspan\u003eThe design\u003c\/span\u003e\n\u003ch2\u003eA Chandelier With \u003cem\u003eNo Centre\u003c\/em\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe arms cross. The middle stays empty. That is the whole idea.\u003c\/p\u003e\n\u003cp\u003eAlmost every chandelier ever made is built around a hub. Arms radiate outward, the mass gathers in the middle, and the middle is the part you look at. This one has no hub at all. \u003cstrong\u003eTwo horizontal bars pass through a vertical stem at different heights and simply keep going\u003c\/strong\u003e — and the centre of the fixture, where a chandelier normally holds everything, is empty air.\u003c\/p\u003e\n\u003cp\u003eThe consequence is the reason to own it. Because the weight sits at the ends and nothing accumulates in the middle, \u003cstrong\u003eyou can see straight through it.\u003c\/strong\u003e Across a dining table that matters more than it sounds — you see the person opposite rather than a mass of glass between you. From the doorway it reads as a line drawing rather than an object, which is how a fixture nearly a metre wide can hang in a room without dominating it.\u003c\/p\u003e\n\u003cdiv\u003e— Nothing in the middle. Everything in balance. —\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e \u003cspan\u003eMaterials\u003c\/span\u003e\n\u003ch2\u003eWhy \u003cem\u003eReal Alabaster\u003c\/em\u003e\n\u003c\/h2\u003e\n\u003cp\u003eAlabaster-look glass and resin are everywhere in lighting, and they photograph well. Here is what changes once the piece is in the room — including the one thing they do better.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e \u003cspan\u003eNatural Alabaster\u003c\/span\u003e \u003cspan\u003eAlabaster-Look Glass \/ Resin\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eThe light\u003c\/span\u003e \u003cspan\u003eLight enters the stone and comes back out softened — the globe glows from within, with no visible bulb and no hotspot\u003c\/span\u003e \u003cspan\u003eLight passes through a thin shell; the bulb often shows as a bright spot or a shadow through the surface\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eThe veining\u003c\/span\u003e \u003cspan\u003eVeins run through the thickness of the stone, so they change as the light moves and the globe is different on every side\u003c\/span\u003e \u003cspan\u003ePattern printed or moulded onto the surface — flat, and the same motif recurs every few pieces\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eSwitched off\u003c\/span\u003e \u003cspan\u003eReads as pale marble against the ceiling, with real depth and weight in daylight\u003c\/span\u003e \u003cspan\u003eReads as plastic the moment the light is off, however convincing it looks lit\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eIn the hand\u003c\/span\u003e \u003cspan\u003eCool, dense and unmistakably heavy — a stone globe weighs what a stone globe weighs\u003c\/span\u003e \u003cspan\u003eWarm to the touch and light enough to lift with two fingers\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eThe cut edge\u003c\/span\u003e \u003cspan\u003eWhere the globe meets its fitting you see a cut stone edge, and the veining carries straight through it\u003c\/span\u003e \u003cspan\u003eThe pattern stops at the seam, because there is nothing underneath it\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eCare\u003c\/span\u003e \u003cspan\u003eDust only. Alabaster is a gypsum stone and slowly soluble in water — a damp cloth will dull it over time. \u003cstrong\u003eImitation is genuinely easier here\u003c\/strong\u003e\u003c\/span\u003e \u003cspan\u003eWipes clean with a damp cloth and shrugs off household sprays. Lower maintenance, and worth saying so\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e \u003cspan\u003eQuestions, Answered\u003c\/span\u003e\n\u003ch2\u003eCommon \u003cem\u003eQuestions\u003c\/em\u003e\n\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\n\u003cspan\u003eIs it real alabaster, and how would I know?\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cdiv\u003e\n\u003cp\u003eYes — every globe is cut from natural stone. Three things tell you, and they are worth knowing whoever you eventually buy from.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight.\u003c\/strong\u003e A stone globe is heavy and cool to the touch; a moulded one feels warm and light. \u003cstrong\u003eThe cut edge.\u003c\/strong\u003e Where the globe meets its fitting you can see a cut stone edge with the veining running straight through it — on a printed imitation the pattern stops at the seam. \u003cstrong\u003eThe veining under light.\u003c\/strong\u003e Real veins sit inside the thickness of the stone, so they shift as your eye moves and the globe looks different from each side. A printed pattern stays flat and repeats from piece to piece.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\n\u003cspan\u003eWill the globes match each other?\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cdiv\u003eThey are \u003cstrong\u003ematched by hand within each fixture\u003c\/strong\u003e so that they read as a family — similar tone, similar density of veining, nothing that jumps out. But they are never identical, because each one is cut from a different part of a different block. Some come out pale and almost cloudless; others carry warm honey lines. \u003cstrong\u003eThat variation is the argument for stone over moulded glass, not a compromise on it.\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\u003cspan\u003eHow do I clean it?\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eDust only — never use water on the stone.\u003c\/strong\u003e Alabaster is a gypsum mineral and is slowly soluble in water, so a damp cloth used regularly will dull the surface and eventually etch it. Use a \u003cstrong\u003esoft dry cloth or a dry brush\u003c\/strong\u003e on the globes, and keep solvents, glass sprays and all-purpose cleaners well away.\u003c\/p\u003e\n\u003cp\u003eThe metal arms can take a barely damp cloth as long as you keep it off the stone. Switch off and let the bulbs cool completely first.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\n\u003cspan\u003eHow bright is it?\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cdiv\u003e\n\u003cp\u003ePlan it as the \u003cstrong\u003ewarm ambient layer\u003c\/strong\u003e rather than the only light in the room. Stone absorbs more light than opal glass does — that absorption is exactly what produces the soft internal glow — so four or six globes give a gentle, even wash rather than a bright one.\u003c\/p\u003e\n\u003cp\u003eOver a dining table or in a bedroom it carries the room comfortably. In a kitchen or anywhere you need to see detail, pair it with downlights or task lighting.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\n\u003cspan\u003eWhat bulbs does it take?\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eG4 LED bulbs\u003c\/strong\u003e — four or six depending on the version, warm white recommended, not included. A small capsule lamp is used deliberately: it disappears entirely inside the globe, which is part of why no bulb is ever visible.\u003c\/p\u003e\n\u003cp\u003eOne thing to watch when you buy replacements. \u003cstrong\u003eG4 comes in two voltages that look completely identical\u003c\/strong\u003e — mains voltage and 12V — with the same two pins and the same capsule. They are not interchangeable. This fixture takes \u003cstrong\u003e[__ CONFIRM VOLTAGE] G4 LEDs\u003c\/strong\u003e; check the packet, and send us a photo if you are unsure.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\n\u003cspan\u003eCan it be dimmed?\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cdiv\u003eDimming depends on the bulb rather than the fixture. Fit \u003cstrong\u003edimmable G4 LEDs\u003c\/strong\u003e on a compatible dimmer circuit and it will dim smoothly; standard lamps will not. A \u003cstrong\u003ewarm white around 2700K\u003c\/strong\u003e suits the stone best — cooler light drains the honey tones out of the veining and makes the globes read grey.\u003c\/div\u003e\n\n\n\u003cspan\u003eFour heads or six?\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe difference is not only width. The \u003cstrong\u003efour-head is two crossing arms on two levels\u003c\/strong\u003e; the \u003cstrong\u003esix-head adds a third arm at a third height\u003c\/strong\u003e, so stepping up adds a tier to the composition.\u003c\/p\u003e\n\u003cp\u003eBy size: the four-head suits a round table around \u003cstrong\u003e31–35″\u003c\/strong\u003e or a room of roughly \u003cstrong\u003e11 × 13 ft\u003c\/strong\u003e; the six-head suits a table of \u003cstrong\u003e47–53″\u003c\/strong\u003e or a room of about \u003cstrong\u003e15 × 20 ft\u003c\/strong\u003e. Because the arms spread sideways rather than stacking, \u003cstrong\u003egoing larger costs width and almost nothing in headroom\u003c\/strong\u003e — so over a table, err larger.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\n\u003cspan\u003eHow high should I hang it?\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cdiv\u003eOver a dining table, hang the lowest globe \u003cstrong\u003e30–36″ (75–90 cm) above the tabletop\u003c\/strong\u003e. In any walkway or entry, keep at least \u003cstrong\u003e7 ft (2.1 m)\u003c\/strong\u003e of clearance from the floor. The \u003cstrong\u003e59″ cable is shortened on site\u003c\/strong\u003e during installation, and extra length is supplied before dispatch if you tell us your ceiling height when ordering.\u003c\/div\u003e\n\n\n\u003cspan\u003eCan I use it in a bathroom?\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cdiv\u003e\n\u003cp\u003eNo — and here there are two separate reasons. Electrically it is rated \u003cstrong\u003eIP20\u003c\/strong\u003e, which means \u003cstrong\u003eno protection against water at all\u003c\/strong\u003e. And alabaster is a porous stone that does not want sustained humidity either.\u003c\/p\u003e\n\u003cp\u003eInstall it in \u003cstrong\u003edry indoor rooms\u003c\/strong\u003e: dining rooms, living rooms, bedrooms, entries, stairwells. \u003cstrong\u003eNot in a bathroom, above a bath or shower, in a laundry, or on a covered porch\u003c\/strong\u003e, even one that stays out of direct rain.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\n\u003cspan\u003eCan I install it on a sloped ceiling?\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cdiv\u003eYes. Because the fixture hangs from a single point on a cable, \u003cstrong\u003eit stays level regardless of the angle of the ceiling above it\u003c\/strong\u003e — the crossing arms need no adjustment. The only part to handle is the canopy: a standard one sits flush on a shallow pitch only, and anything steeper needs a \u003cstrong\u003esloped-ceiling adapter\u003c\/strong\u003e. Tell us the pitch before ordering and we will confirm whether one is needed and supply it.\u003c\/div\u003e\n\n\n\u003cspan\u003eWill my ceiling take the weight?\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cdiv\u003eCheck before ordering. Four to six solid stone globes on a metal frame is \u003cstrong\u003econsiderably heavier than a glass fixture of the same size\u003c\/strong\u003e — that weight is part of what you are buying, and it is also the part your junction box has to hold. Confirm the \u003cstrong\u003ebox is rated for the fixture's weight\u003c\/strong\u003e and that there is structural support above it; a standard box carries far less than most people assume. Net and shipping weights are available on request for both versions.\u003c\/div\u003e\n\n\n\u003cspan\u003eWhat if a globe arrives damaged?\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cdiv\u003eEvery globe is individually wrapped and foam-seated for shipping, with the arms and canopy boxed separately. If something arrives damaged, \u003cstrong\u003esend photographs within 24 hours of delivery\u003c\/strong\u003e and the affected part is replaced. Because each globe sits in its own fitting, \u003cstrong\u003ea single damaged globe never means returning the whole chandelier\u003c\/strong\u003e — though the replacement will have its own veining, as every piece of stone does.\u003c\/div\u003e\n\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ANILLO HOME","offers":[{"title":"4 Heads ∅ 23.6″ × H 11.8″ \/ Gold + White","offer_id":52962808693047,"sku":"10436691984674","price":1530.0,"currency_code":"USD","in_stock":true},{"title":"4 Heads ∅ 23.6″ × H 11.8″ \/ Black + White","offer_id":52962808725815,"sku":null,"price":1530.0,"currency_code":"USD","in_stock":true},{"title":"4 Heads ∅ 23.6″ × H 11.8″ \/ Nickel + White","offer_id":52962808758583,"sku":null,"price":1530.0,"currency_code":"USD","in_stock":true},{"title":"6 Heads ∅ 35.4″ × H 15.7″ \/ Gold + White","offer_id":52962808791351,"sku":null,"price":2390.0,"currency_code":"USD","in_stock":true},{"title":"6 Heads ∅ 35.4″ × H 15.7″ \/ Black + White","offer_id":52962808824119,"sku":null,"price":2390.0,"currency_code":"USD","in_stock":true},{"title":"6 Heads ∅ 35.4″ × H 15.7″ \/ Nickel + White","offer_id":52962808856887,"sku":null,"price":2390.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1006\/0916\/3575\/files\/img-1788979929213-iyqj.webp?v=1788979931","url":"https:\/\/anillohome.com\/products\/perrin-crossing-arm-globe-chandelier","provider":"ANILLO HOME","version":"1.0","type":"link"}