The Isolde Draped Arc Alabaster Chandelier is built from curved metal bands suspended from several separate ceiling points, each band set with small alabaster pebbles along its length. The arcs sag between their anchors the way a swag of fabric does, one nesting inside the next, and the stones sit directly on the band rather than hanging beneath it — flush pebbles of lit alabaster held against dark metal.
Almost every chandelier is one object that arrives with its shape already decided. This one arrives as a set of curves and gets its shape from your ceiling. Because each arc hangs from its own mounting points, the depth of every sag, the distance between the tiers and the overall spread are all set during installation — spread the anchors wide and the arcs flatten into shallow sweeps; bring them close and the curves deepen into a nested cascade. It works across a long dining table, a kitchen island, or a double-height entry, and it reads differently from every position in the room because no two arcs sit in the same plane.
Naturally Unique Veining
No two pieces of stone are ever the same
Alabaster is a natural stone, so every piece carries its own veining and subtle variation in color. The fixture you receive may therefore differ slightly from the images shown.
Where You Put the Anchors Decides the Shape
The bands are flexible and each hangs from a cable at either end — so the same fixture becomes three quite different objects depending on where the fixing points go.
Parallel
Anchor points set in a straight row, the arcs hanging side by side at the same depth. The widest spread and the shallowest fall — light reaches the full length of a long surface.
→ Over a long dining table, a kitchen island, or a run of counter.
Stacked
The inner pair of anchors set closer together than the outer, so one arc falls inside the other at a different depth. From beneath you look through the layers; from across the room they close into one draped mass.
→ Over a round or square table, an entry hall, or a room seen from two sides.
Deep Arc
Anchors brought close together so the bands fall as deep half-ellipses rather than shallow sweeps. The narrowest footprint and the most dramatic drop — but it needs real height above it.
→ Down a stairwell void, a double-height entry, or a vaulted room.
The Details
Alabaster: natural white.
Good to Know
This mounts at several points, not one
Each band is held by a cable at either end, so the fixture anchors to separate places on your ceiling rather than a single canopy. That is exactly what lets you set the depth of every curve — but it also means several holes, several fixings and wiring run between them.
Why the bands are faux leather, not rigid metal
A solid metal bar holds whatever curve it was bent to at the factory. These bands are faux leather over their core, which is what allows them to drape — the sag between the two anchor points is set by how far apart you place them, not decided before it ships. That flexibility is the whole design. It also means the bands should be wiped with a dry cloth only, never soaked or treated with leather conditioner.
About dimming
The LED is built into the fixture, so there is no bulb to buy, fit or replace — and no bulb to swap for a dimmable one later. (Please contact us if you require dimming functionality.)
Same Span, Twice the Depth
The two sizes are almost identical in length. What changes is how far the arcs fall — so this is a ceiling-height decision, not a table-width one.
Height: 23.6″ → 47.2″ · twice as deep Going up a size buys you almost no extra width and nearly two more feet of drop. That is the opposite of how most chandeliers scale, so check your ceiling before your table. The large version is nearly four feet tall on its own — before you add any cable.
The version most dining rooms want.
Measure the void, not the table.
Sizing Tip
Every band hangs from a cable at each end, so the figures above describe the fixture at its designed shape — spread the anchor points wider and the arcs flatten; bring them closer and the curves deepen. The height you end up with is partly yours to decide, which is exactly why the ceiling layout matters more here than on a normal chandelier.
Over a table, aim for 30–36″ between the lowest stone and the tabletop. Anywhere people walk beneath it, keep 7 ft of clearance above the floor — on the large size, that alone rules out most standard ceilings.
A Curve Nobody Drew
Hang a chain between two points and gravity does the rest.
There is a curve you cannot design. Hold a chain, a rope or a necklace by both ends and let it hang — the shape it settles into is not a choice anyone made. It is the exact line every point of that chain takes when weight and tension finish arguing. Suspension bridges use it. Cathedral arches were derived from it. It appears wherever something flexible is held at two points and left alone, and the eye reads it as settled long before the mind knows why.
Each band is flexible rather than rigid, and each hangs from a cable at either end — so the arc you see was not bent into shape at our workshop. It was found in your room, by gravity, on the day it went up. Move the anchor points apart and the curve flattens into a long shallow sweep. Bring them closer and it deepens into a fall. Same fixture, two entirely different objects.
Along each band sit small pebbles of alabaster, set flush against the surface rather than hanging beneath it. Nothing dangles, nothing swings — the light appears to have grown along the curve rather than been attached to it. And because the stones are spread the whole length instead of gathered at a centre, the light arrives evenly across a long table with no single bright point to look into.
Common Questions
How it mounts, which size to choose, and why the curve is yours to set.
Not directly — and this is the most important thing to know before ordering.
Each band is held by a cable at either end, so the fixture anchors to several separate points on your ceiling rather than one canopy. That means new holes, new fixings, and wiring run between them. It is not a swap-out for an existing pendant.
Choose on ceiling height, not table width — and this catches people out, because it works backwards to most chandeliers.
The two sizes are almost the same length: 70.9″ and 74″, only three inches apart. What changes is depth: 23.6″ against 47.2″. The large one is nearly four feet tall on its own, before any cable.
So: small for a 9–11 ft ceiling over a dining table or island. Large for 11 ft and up — a double-height entry, a stairwell void, a vaulted room. On a standard ceiling the large version simply hangs too low.
Yes — that's the whole idea. The bands are flexible rather than rigid, so the arc isn't bent into shape at the factory. It's found by gravity once the anchor points are in your ceiling.
Set the anchors further apart and the curve flattens into a long shallow sweep. Bring them closer and it deepens into a fall. Same fixture, two quite different shapes — and the decision is made in your room on the day.
Yes, and more evenly than most chandeliers this size. The stones sit along the whole length of every band rather than gathering at a centre, so the light reaches the ends of a long table instead of pooling in the middle.
It's also comfortable to sit under: dozens of small glows rather than one bright source, so there's no single point to look into from any seat.
Because they're cut from real quarried stone, not moulded from resin. Every pebble has its own veining, and some glow noticeably warmer than the ones beside them.
On a fixture carrying this many, that's the first thing you notice — and it's what tells you the stone is real. A set that matched perfectly would have to be plastic.
No bulb — the LED is built into the fixture, running at warm white 3000K. Nothing to buy, nothing to match, and no odd one out among all those stones.
The trade-off is that there's no bulb to swap for a dimmable one later. Dimming works through a compatible LED wall dimmer on the circuit instead. (Please contact us if you require dimming functionality.)
Faux leather over a core, with metal fittings and natural alabaster stones.
That material is a deliberate choice rather than a saving. A solid metal bar holds whatever curve it was bent to at the factory — these bands flex, which is the only reason the shape can be set in your room instead of ours. Clean them with a dry cloth only: never soak them, and don't use leather conditioner.
A soft dry cloth on both the stones and the bands. Keep water off the alabaster — it's porous, absorbs it, and leaves a mark that won't buff out. The bands should stay dry too.
No sprays, no polish, nothing abrasive. Switch off and let it cool first. Once or twice a year is plenty.
The Same Droplets, Three Ways to Use Them
Glass droplets on a flexible frame — hung from the ceiling, set against a wall, or standing on the floor. Same language, three different jobs in a room.
Dew Drops Pendant Lamp
1–5 strands · 98.4″ or 118″
The full sculpture. Run it straight over a table, curved into a U, or staggered down a stairwell — the frame bends to whatever the room needs. Transparent or smoky grey glass.
Dew Drops Wall Light
Wall mounted · Integrated LED
The same droplets brought down to eye level. Beside a bed, a mirror, or along a hallway — where the pendant needs a ceiling and a room to fill, this needs only a wall.
Dew Drops LED Floor Lamp
Floor standing · Plug in
The one that needs no electrician and no holes in the ceiling. Plug it in beside a sofa or a reading chair — and take it with you when you move.
One idea, three heights. Every piece here uses the same glass droplets on the same flexible frame — what changes is where the light sits in the room. The pendant fills the volume overhead, the wall light brings it to eye level beside a bed or a mirror, and the floor lamp puts it beside you with nothing to wire in. They read as one family when used together, which is why they suit an open-plan space seen all at once. Tell us the rooms and we'll suggest which combination works.
Electrical Specifications
| Light Source | Please contact us to confirm this model’s light source. |
|---|---|
| Voltage | Configured for the destination country. Please confirm the rated voltage for this model before ordering. |
| Global Electrical Options | Voltage and bulb base, where applicable, are configured for the destination country. Please confirm the available US, EU, UK, AU or other regional configuration before ordering. |
- Is professional installation required?
- Yes. Hardwired fixtures should be installed by a licensed electrician in accordance with local codes.
- Can the voltage be customized?
- Voltage can be customized to suit your country's electrical standard. Contact us before ordering to confirm the required voltage.
- How long does delivery take?
- Standard sea freight is estimated at 25–35 calendar days after dispatch. Express delivery, when available, generally takes 7–14 business days after dispatch. Production and preparation time are additional.
- What if the fixture arrives damaged?
- Contact us as soon as possible after delivery with photos of the fixture, packaging and shipping label. Our team will review the issue under our Shipping and Refund Policies.
- How should I clean the fixture?
- Switch off the power and allow the fixture to cool. Gently dust with a soft, dry microfiber cloth. Do not spray cleaner directly onto the fixture.
- Can I return it?
- Eligible unused, uninstalled items may be returned within 60 days of confirmed delivery. Please review our Return & Refund Policy before ordering.
Size
∅ 70.9" x H 23.6"; ∅ 74" x H 47.2"
Colour
White + Black
- Preparation time is confirmed for your order before dispatch.
- Standard Delivery — Sea freight: 25–35 calendar days after dispatch; production and preparation time are additional.
- Express Delivery — 7–14 business days after dispatch when available; preparation time is additional.
- 60-Day Returns — Eligible unused, uninstalled items may be returned under our policy.
- Secure Packaging — Fragile lighting is carefully packed for safe delivery.
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Isolde Draped Arc Alabaster Chandelier
The Isolde Draped Arc Alabaster Chandelier is built from curved metal bands suspended from several separate ceiling points, each band set with small alabaster pebbles along its length. The arcs sag between their anchors the way a swag of fabric does, one nesting inside the...
